Jan Baptist Huysmans

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Biography of Jan Baptist Huysmans ( 1826-1906 )

Painter of history, genre and religious scenes, and an Orientalist, Jan Baptist Huysmans was born in Antwerp on April 25, 1826. From 1843 to 1849, he studied in the Fine Art Academy of his native city, where he exhibited  his works twice, in 1850 (Charles VI and Odette) and in 1853.

In 1856, he set off on a journey which will lead him towards Greece, Turkey, and the Middle-East. He settled there for a while, in Palestine  - painting great size religious murals for the churches of Jerusalem -  in Syria, in Egypt and in Algeria. He started Orientalist painting  in 1857 and at the same time he was publishing his journey's souvenirs that he illustrated. « A Journey to Italy and the East », in 1856-1857, « A Journey toward Spain and Algeria », in 1862.

He did  some substantial mural paintings for the churches of Erpe and Jerusalem and for the communal houses of Geel and Comines in Belgium. He then established himself in Paris for a few years before returning definitely to his native country.

His paintings mainly represent harem scenes, games and dancers,  but also portraits and celebrations. The vivid and brilliant colours,  dominated by tones of red, green and ochres, reveal the carefully observed details  of the architecture,  the costumes and artefacts. Between 1863 and 1891, Huysmans sent 14 small size works to the Glasgow Institute of Arts and two paintings to the Manchester City Gallery. 
In 1889,  he exhibited at the French Artists Salon and the same year at the Universal Exhibition in Paris.

This painting realized in 1860 is considered to be one of his masterpiece. Indeed, this painting has been conserved by Jan Baptist Huysmans in his private collection and then by descents in the artist’s family. All the details bring to this composition a fantastic memory of his journeys in Damas where the artist stayed for the second time in 1858. This city has been one of the most impressive one for the belgian artist. Here he represents the harem of the Azem Palace, especialy the haremlek reserved to the women.

The painting is conserved in original frame, choosen by the artist himself.

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