Adolphe Alexandre Lesrel

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Biography of Adolphe Alexandre Lesrel ( 1839-1929 )

A painter of history and genre scenes, Adolphe Alexandre Lesrel was born in Genets, Normandy, on May 19th, 1839. In 1885, he became a member of the Society of French Artists, where  he exhibited regularly . In 1889,  he was awarded an honorable mention at the Universal Exhibition.

In 1890, he was made an associate of the Société Nationale des Beaux-Arts  and exhibited  in their Salon  almost  every year until the end of his life.

Lesrel was very much influenced by the conceptional work of the artist Jean Louis Ernest Meissonier (1815 -1891), and he became a master of  a new genre  of history painting, offering meticulously researched and detailed compositions of an idealized view of the past.

Indeed, the  first half of the 19th century saw the rise of the historical novel, in particular with the writings of Walter Scott, published throughout Europe. In France, this vogue spread mainly through the novels of  Alexandre Dumas, like Henri III or The Three Musketeers, The Count of Monte Christo.

Cavaliers dressed in 17th  century period costume playing cards or chess, morning visitors, letter writers, a cavalier refreshing, the armorers or servants at domestic employment , constitute most of Lesrel's subjects. His style is polished and extremely rich in details. Every surface is marvelously represented with a  refined technique, depicting exquisite costume pieces, velvet gowns, furniture, objets d'art, the colours, the texture of wood or brass, all have  been researched  deeply, to assure the historical accuracy of the work in a highly detailed and finished style.

Today, Lesrel 's historical scenes, an idealized and romantic interpretation of the past,  are still very much sought after. His subject matters, the technical virtuosity of his brushwork , the focused light a typical device in his paintings,  ensure him a continuing popularity.

32 avenue Marceau
75008 Paris, France
Monday to Friday from 10am to 7pm
Saturdays from 2 to 7 p.m.
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