This delicate oil on cardboard painting follows in the tradition of moonlit cityscapes for which the Grimshaw family was renowned, while showcasing the unique sensibility of its creator, Louis Hubbard Grimshaw.
Modest in size but intensely atmospheric, the work depicts Tower Bridge standing out in the night mist, an almost ghostly silhouette in the heart of a London shrouded in greenish vapours. The composition is organised around the lunar disc, suspended fairly low in the sky and partially veiled by clouds. This bright yellow light source illuminates the surface of the Thames, whose shimmering reflections trace golden patterns towards the foreground. Suggested only by small glistening touches, intended to depict portholes, lanterns and smoke, the various steamboats, although barely discernible in the darkness, lend real depth to the scene.
The pictorial treatment, with its subtle glazes and blends, reveals a remarkable mastery of nocturnal effects. The almost monochrome unity of the whole, combining deep greens, muted blues and velvety blacks, is broken only by the spectral glow of the moon and the sparkle of the water.
Grimshaw succeeds in suggesting the dense humidity of the London air, that characteristic mist that absorbs shapes and dissolves contours, and which also made Whistler's small nocturnes so successful. Like his fellow artist, far from any precise topographical description, the artist favours a dreamlike vision where the industrial modernity of the steam blends into an atmosphere of silence and mystery.
Through this subtle work, Louis Hubbard Grimshaw continues his father's legacy while adding his own more introspective touch: the city is no longer merely observed, it is felt. And the moonlight, far from fully illuminating the scene, seems to reveal its melancholic and secret poetry.
With Trinity Fine Art, Broadway.
Royaume-Uni, collection particulière.