Edwin Long was a British genre painter renowned for the meticulous precision of his technique and the scholarly accuracy of his historical, ancient, and biblical reconstructions. Particularly admired by Victorian audiences, his work is distinguished by the scale of its compositions and the careful attention paid to archaeological detail.
The son of a wigmaker from Bath in Somerset, Long showed an early talent for drawing. Determined to devote himself to painting, he broke with his family and moved to London, where in 1846, at the age of seventeen, he entered the studio of James Mathews Leigh in Newman Street. After several unsuccessful attempts to gain admission to the Royal Academy, he travelled to Italy in 1848 before returning to Bath, where he established himself as a portrait painter. His portraits, exhibited at the Royal Academy, met with a certain success and brought him commissions from members of the English aristocracy, including Lord Ellesmere and Lord Robert Grosvenor in 1856.
His meeting with the painter John Philip RA proved decisive for his career. In 1857, Long travelled with him to Spain, where he became deeply impressed by the works of Velázquez and Murillo, whose influence would leave a lasting mark on his painting. He returned regularly to Spain between 1857 and 1873, producing genre scenes inspired by Spanish life as well as historical compositions that helped establish his reputation among critics.
In the 1870s, Long broadened his subjects to include themes drawn from antiquity and biblical narratives, in a spirit comparable to that of Lawrence Alma-Tadema. In 1874, a journey to the Holy Land, Syria, and Egypt inaugurated a new phase in his career oriented towards Orientalism.
Nourished by a strong interest in archaeology and the ancient Near East—particularly ancient Egypt and Mesopotamia—his painting came to be characterized by vast and spectacular compositions rich in detail and sumptuous settings. Among his most celebrated works is The Babylonian Marriage Market, exhibited at the Royal Academy in 1875, which achieved remarkable success and became one of the most expensive works ever purchased from a living artist at that time.
Elected an Associate of the Royal Academy in the 1870s and a Royal Academician in 1881, Edwin Long enjoyed considerable fame during his lifetime. He died suddenly of pneumonia in 1891. His popularity did not diminish after his death, notably thanks to the wide circulation of engravings after his paintings. In 1893, the Edwin Long Gallery opened at 25 Old Bond Street in London to display the artist’s large-scale works, in a manner comparable to the Doré Gallery established a few years earlier.